This volume contains many of the most significant works of the most authoritative group of Italian masters; leafing through it brings us back to the shocking emotion of those spectators who, from the 1940s to the early 1990s, had the privilege of seeing the streets of their cities transformed into exhibition spaces dominated by powerful designs, capable, in a few meters of paper, of synthesizing a film, to generate the desire to see it, to imprint its indelible memory in memory.